The first ‘Digital Death Day,’ held on 20 May 2010, brought together world experts in the fields of death studies, social networking and data management. Promoting the event, coordinator Jennifer Holmes commented, “The online memorial has already become the new grave” (Andrews 2010). How seriously should we take such a statement? Was this turn of phrase simply intended to indicate the increasing dependence on digital media for performing social rituals? Or has online memorialisation in fact created a new kind of ‘resting place’ for the deceased and if so what is the nature of that place and how do the living relate to it? Whether through intentional online memorialisation or through the unplanned bestowing of an afterlife on anyone who has had an active online presence in life, it is now indisputable that the digital world is being populated, at an exponentially growing rate, by the stories, images, traces and voices of the dead – so much so that this digital afterlife can be seen as a new kind of immortality.
Never before in the history of representation have there been so many available ways for art to represent and to “frame” lives. At the same time, the explosion of biographical information that social media have enabled has demonstrated dramatically the illusionist basis of the enterprise of biographical containment. The very idea of “auto/biography” has in recent years broken out of its own conventional frames to enlist genres and modes of representation that have more commonly operated in other arenas or have played supporting roles, rather than taking center stage themselves, as they do in many of the biographical works considered in this collection of essays. Whether their focus is on cartoons, photographs, installations, graphic memoirs, films, games, or narrative texts, these essays rigorously explore and unravel the notion of “framing” as it applies to presenting and displaying lives.
Paul Arthur is Vice-Chancellor’s Professorial Research Fellow and Chair in Digital Humanities and Social Sciences, at Edith Cowan University, Western Australia. He speaks and publishes widely on major challenges and changes facing 21st-century society, from the global impacts of technology on communication, culture and identity
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