When Hitler’s troops invaded and occupied the city of Kharkov in Ukraine, my grandparents Nadia, 26, and Petro, 30, had two young children, aged 7 and 5. My mother had not yet been born. In this tense and uncertain period it was unclear whether Ukraine would ultimately be controlled by Stalin or Hitler. There was nothing to recommend one over the other, they often said. Both regimes were brutal and both targeted Ukrainians. Mid-1943 marked a turning point—the end of their lives in Ukraine and the first stage of a journey into the unknown that led to their eventual arrival in Australia in 1949 as post-war refugees. They were packed into railway goods wagons with other Ukrainians and were taken from Kharkov, where they had built their world, to Dwikozy in Poland. This was the place of their first displacement from everything that made up their history and identity—homeland, language, culture, family, community, and career. Like many other refugees my grandparents attempted to compensate for the loss of their past by trying to recover it repeatedly years later in the stories that they told.
Exploration & Endeavour: The Royal Society of London and the South Seas celebrates the society’s 350th anniversary by bringing together a selection of iconic objects and original documents that highlight the society’s key role in European maritime exploration and discovery in the Pacific. The Royal Society, the world’s oldest scientific academy in continuous existence, was founded on the premise that knowledge should be subject to independent verification—‘freeing oneself from unexamined opinion, particularly through the study of empirical data’, as Andrew Sayers puts it in his introduction to the beautifully produced accompanying book publication. The society’s motto, Nullius in verba (‘Take no-one’s word for it’), attests to this commitment to independence of thought, underpinned by methodologically rigorous inquiry. Fellows of the society include larger-than-life figures who in many cases have revolutionised their field: Isaac Newton, Michael Faraday, Christopher Wren, Charles Darwin, Ernest Rutherford, Albert Einstein, Dorothy Hodgkin, Francis Crick, James Watson, Stephen Hawking and, with particular relevance in the Pacific context, James Cook and Joseph Banks.
The Australian Dictionary of Biography (ADB) is the premier reference resource for the study of the lives of Australians who were significant in Australian history. Its 50 year anniversary was celebrated in 2009 with a special symposium ‘Between the Past and the Future’, which brought together past employees of and contributors to this important national project. Seventeen volumes of the dictionary and one supplementary volume have been published under the Melbourne University Press imprint, with Volume 18 (covering people who died between 1981 and 1990, surnames beginning L to Z) due to appear in 2012. The editorial unit that produces the ADB has been led by General Editor Professor Melanie Nolan since 2008. In that year, the National Centre of Biography (NCB) was established at the Australian National University to extend the work of the ADB and to serve as a focus for the study of life writing in Australia, supporting the highest standards in the field, nationally and internationally.
At the heart of the national narrative in Australia is the potent and enduring story of the Australian and New Zealand soldiers—the ANZACs—who fought at Gallipoli, in Turkey, in the First World War, against impossible odds. It is a story that has taken on legendary significance. Each year, on the anniversary of the catastrophic Gallipoli conflict of 25 April 1915, there is a national holiday and Australians in ever-increasing numbers attend Anzac dawn services—conducted at memorials across the nation—to honour the dead of this and later wars. The role of the Gallipoli: The First Day website is not only to repeat and reinforce the Anzac message and make it more accessible, but also to offer a new assemblage of information utilising the 3D visual power of the digital environment.
Hung parliaments at the Federal level in Australia are very unusual. The first such political stalemate since 1910 occurred at the onset of World War II. The Federal election of 21 September 1940 was held 70 years prior to the 2010 ballot that ultimately confirmed Julia Gillard as prime minister of a minority Labor government. The Australian Dictionary of Biography tells the story of the 1940 election that led to Robert Menzies being returned as Prime Minister of a minority coalition government—followed by its downfall the next year—through the lives and careers of the key political players. These included Prime Ministers Joseph Lyons, Robert Menzies, Arthur Fadden and John Curtin, along with the two conservative Victorian Independents, Arthur Coles and Alexander Wilson, who held the balance of power in the House of Representatives.
Born out of an ancient geographical theory of balance, the term ‘antipodes’ was first used to refer to the vast uncharted underworld of the southern hemisphere from a northern perspective. The principle behind this belief, as described in the Quarterly Review in the nineteenth century, was ‘that all the land, which had till then been discovered in the southern hemisphere, was insufficient to form a counterpoise to the weight of land in the northern half of the globe’. The idea of the antipodes as a counterbalance, though now remembered only as a peculiar, discredited theory, has been surprisingly influential as an imaginative concept. An antipodean expectancy filled minds, maps, novels and utopian plans, laying the foundations for perceptions of Oceania and Australasia that continue to impact on how this part of the world is seen from a distance as well as from within. The region of the antipodes has been occupied by European settlers and their descendants for a relatively short time. And yet, this brief period is set against a backdrop of one of the longest recorded histories of imagining prior to geographical discovery.
This paper reflects on an emerging field that has no accepted name or boundaries but is described here as “digital biography.” The activities, formats, and genres associated with this field are rarely linked with life writing or traditional biographical studies. Rather, this field is seen as the domain of those concerned with digital privacy, copyright, data preservation, and identity management. Over the past decade or so, critics in various disciplines, mainly legal studies, information management, multimedia design, and IT development, as well as sociology, psychology, and marketing, have focused on the complexity of online identity. Though online identity has become such a significant focus of attention in these disciplines, few who study biography have discussed it. Indeed, as Nigel Hamilton points out, biography itself has had less attention than one might expect for a field that “has enjoyed an extraordinary renaissance in recent years”, a field that, according to Carl Rollyson, is widely recognized as “the dominant non-fiction of our age”.
This article considers how traditional physical memorials to war and other catastrophic events differ from online memorials in the Web 2.0 environment and it asks what the benefits and drawbacks of each may be. There has always been an awkward fit between the public statements embodied in monuments to those who died in war and the personal stories told by individuals who returned. This disjuncture serves to demonstrate that the two ways of remembering traumatic events—the collective and the individual—have traditionally been poles apart and often contradictory. Gradually, over the past two decades, with the increasing influence of critical theories that have questioned national and other dominating discourses—and also with growing interest within the field of clinical psychology in what is now labeled post-traumatic stress disorder—there has been an increasing interest in the vast underlayer of personal stories that national narratives have shut out or silenced.
In this first decade of the twenty-first century we are caught up in the midst of a technological shift of the kind that Walter Benjamin, in his 1936 essay ‘The Work of Art in the Age of Mechanical Reproduction’, attributed to the increasing popularity of photography in the early twentieth century. The essence of that change was the unprecedented capacity to create infinitely reproducible multiple copies. For the first time the idea of the primacy of the singular work of art was seriously open to question. ‘The history of every art form,’ writes Benjamin, ‘shows critical epochs in which a certain art form aspires to effects which could be fully obtained only with a changed technical standard, that is to say, a new art form’. Photography initiated a change that Benjamin recognised as being as profound in its impact on people’s lives as the introduction of the printing press.
The traditional crafts of quilting, embroidering and weaving may appear to be a world away from the high tech fields of computer networking, digital interface design, and database development. However, the old and new are increasingly being linked through metaphors that reveal a great deal about changing attitudes to digital technologies as they become more established and widely accessible […] Today’s communication networks are structured around “patchwork” designs, software glitches are fixed with “patches,” computer processors are being described as “multi-threaded,” and over the past decade other “material metaphors” have been embraced as a means of conceptualising and giving form to our new world of amorphous digital texts. In particular, the quilt motif has been used in a variety of ways, including as a means of visualising interaction and information flows and as a template for digital interface design.
Paul Arthur is Vice-Chancellor’s Professorial Research Fellow and Chair in Digital Humanities and Social Sciences, at Edith Cowan University, Western Australia. He speaks and publishes widely on major challenges and changes facing 21st-century society, from the global impacts of technology on communication, culture and identity
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